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| Поле | Співвідношення |
| Title | The Organ in France After the Revolution: the Genesis of a Legendary Organ School |
| Names |
Массалья, Лука
Massalia, Luka |
| Date Issued | 2013 (iso8601) |
| Abstract | The organ was one of the victims of the French Revolution. The music of the great French classical authors and the instruments built by François-Henri Clicquot were a summit in the history of the organ in France, but with the Revolution the organ was seen as anti-bourgeois, inextricably linked to the two great enemies of ordinary people: the Church and the aristocracy.Many organs were destroyed or abandoned because of the mere fact of being accommodated in churches, while those who were spared it was thanks to the work of organists who – when the churches were transformed into halls for the popular republican festivities – fit themselves to meet the request from the public of simple music, accessible to everyone: dances and variations on the most famous revolutionary marches, pieces in operistic style (opera was the most popular music genre at the time). The organ, previously religious, liturgical, polyphonic and harmonic, became melodic, secular, orchestral and descriptive. |
| Genre | Article |
| Topic | organ |
| Identifier | Massaglia, Luca The Organ in France After the Revolution: the Genesis of a Legendary Organ School [Текст] / Luca Massaglia // Актуальні питання мистецької освіти та виховання : збірник наукових праць / Міністерство освіти і науки України, Сумський державний педагогічний ун-т ім. А. С. Макаренка ; редкол.: Г. Ю. Ніколаї, О. В. Єременко, А. Єремус-Левандовська [та ін.]. – Суми : СумДПУ імені А. С. Макаренка, 2013. – Вип. 1 (1). – С. 110–138. |